Installation view of Sayre Gomez: Precious Moments at David Kordansky Gallery, Los Angeles
Review
February 24, 2026

Sayre Gomez at David Kordansky Maps Los Angeles as a Ruin in Real Time

Precious Moments is Gomez’s most expansive exhibition to date, using painting, sculpture, and video to show how spectacle, neglect, and private memory are fused in Los Angeles’s visual economy.

Visitors viewing Old Master paintings in a museum gallery
Guide

Old Masters in a Contemporary Market: What New Buyers Keep Missing

As contemporary collecting dominates attention cycles, many new buyers are overlooking how Old Master works can sharpen connoisseurship, stabilize risk, and improve long-term collection quality when approached with discipline.

February 24, 2026
Installation view of Paulo Nazareth: ALLEMANN at Meyer Riegger Berlin
Review

Paulo Nazareth at Meyer Riegger Makes Language a Site of Political Struggle

In ALLEMANN, Nazareth treats naming as material, tracing how one unstable word can carry colonial residue, racial coding, and social hierarchy across Brazil and Germany.

February 24, 2026
Installation view of Gideon Appah: Beneath Night and Day at Pace, New York
Review

Gideon Appah at Pace Turns Coastal Ghana Into a Theater of Time

In Beneath Night and Day, Appah expands his Swimmers and Surfers cycle into a painterly study of rhythm, color, and collective memory, where beach life becomes both observed world and dream architecture.

February 24, 2026
Still from Prisoners of Love: Until the Sun of Freedom by Basel Abbas and Ruanne Abou-Rahme
Review

Prisoners of Love at Brown Turns Archive Into a Living Public Form

Basel Abbas and Ruanne Abou-Rahme's installation in Providence builds an argument about incarceration, memory, and solidarity through sound, projected image, and contested attribution.

February 24, 2026
Installation view of Reimagine African American Art at the Detroit Institute of Arts
Review

At the DIA, Reimagining African American Art Corrects the Museum's Center

Detroit's new installation does more than add visibility, it reorganizes the museum's internal narrative by placing African American art beside its most visited historical core.

February 24, 2026
Installation view of Barkley L. Hendricks: All is Portraiture at Marian Goodman Paris
Review

Barkley L. Hendricks at Marian Goodman Paris Shows Portraiture as Social Thought

All is Portraiture in Paris makes a rigorous case for Hendricks as both formal innovator and acute social observer, extending beyond canonical portraits into photography, landscape, and abstraction.

February 24, 2026
Installation view of Giangiacomo Rossetti, Résurrectine, at Mendes Wood DM Paris
Review

Giangiacomo Rossetti at Mendes Wood DM Paris Makes Melancholy Structurally Luminous

In Résurrectine, Rossetti stages painting as a chamber of delayed recognition, where mirrors, windows, and arsenic yellow bind art historical citation to a contemporary poetics of psychic survival.

February 24, 2026
Crowd at an international contemporary art fair
Guide

How to Navigate Art Fair Week in 2026: A Curator-Collector Playbook

From VIP previews to post-fair follow-up, this guide maps a high-discipline approach to art fair weeks for collectors, advisors, and art professionals who want sharper decisions and better conversations.

February 24, 2026