
Chile's New President Cuts Culture Budget as Artists Sound Alarm
President José Antonio Kast's 3% budget cut across all ministries marks the first time in decades that Chile's new government enters office without a cultural programme.
Chile's new president, Jose Antonio Kast, has initiated a 3% budget cut across all ministries, sending shockwaves through the country's arts and culture sector. The measure was announced before Kast officially took office on March 11, 2026, marking the first time in decades that a Chilean government has entered office without a dedicated cultural programme.
The Ministry of Cultures, Arts and Heritage ranks 16th out of 25 ministries in terms of budget allocation, and now faces what experts describe as a fundamental shift in government priorities. Former president Gabriel Boric's administration had steadily increased the culture budget from million in 2023 to approximately million for 2026.
Bárbara Negrón, general director of the Observatory of Cultural Policies, described the situation directly: "It's a government with no cultural programme. That's for sure. It's been decades since that happened, that a government takes office without a cultural programme."
The 3% reduction is only the opening move. Beyond the initial cut, the government is seeking an additional billion in reductions across all ministries. Each ministry has been required to identify areas of abuse and wrongdoing in public fund usage and submit proposals to the Ministry of Finance by March 20.
Francisco Undurraga, the new Minister of Cultures - a former representative of the right-wing party Evópoli - told local press that his ministry is studying how to implement the cuts. "There is excessive spending on culture," he said, a claim rejected outright by the National Union of Artists.
One programme under immediate threat is the cultural pass, which provided to 18- and 19-year-olds from the most vulnerable households to spend on books, theatre, dance, circus, concerts, festivals, and exhibitions. The programme had been a flagship of the Boric era, designed to build cultural participation among young people who would otherwise be priced out of the arts entirely.
The National Monuments Council is also watching closely. The Chilean government has simultaneously granted urgent status to the Cultural Heritage Bill in the Senate, seeking to modernize heritage protection - though critics note this contradicts the budget reductions affecting conservation capacity.
Cecilia Garcia-Huidobro, a former director of the Violeta Parra Museum and member of the National Monuments Council, offered a measured take: "The Ministry of Cultures had a budget increase that did not translate into any substantial change in the maintenance and conservation of heritage. The ministry needs to focus on creators, on heritage, and have a streamlined institution that allows for the efficient transfer of funds."
The cuts arrive at a sensitive moment for Chilean cultural infrastructure. The Museo Nacional de Bellas Artes in Santiago and other state institutions have been operating with deferred maintenance backlogs for years. A budget reduction - even a modest 3% - removes the margin that might have addressed those gaps.
For the broader Latin American cultural sector, Chile's reversal is being watched as a signal. Countries across the region have struggled to sustain arts funding through economic cycles, and Kast's approach suggests that cultural investment remains politically vulnerable even where it had appeared to stabilize.
The coming weeks will be crucial in determining which specific programmes face the deepest cuts and whether the cultural sector can mount sufficient political pressure to protect core funding. The National Union of Artists has indicated it will resist the changes, but the government's appetite for confrontation on this front remains unclear.